Kashmir bids farewell to master craftsman Peerzadah Habibullah Makhdoomi
Srinagar, Aug 30: Kashmir has lost one of its finest artisans, Peerzadah Habibullah Makhdoomi, a legendary master of walnut wood carving, who passed away on Thursday at the age of 85. Known for his unmatched skill in Kema work and intricate carving patterns, Makhdoomi leaves behind a legacy cherished by artisans, heritage lovers, and the Valley’s craft fraternity.
Born into a family of government servants, he chose a humbler, spiritual path, devoting his life to halal livelihood and a sacred craft believed to have been brought to Kashmir centuries ago by saints. His artistic journey began through the traditional Vostakar-Chat apprenticeship system, training under stalwarts like Ghulam Rasool and Gula Sahib.
He later worked at Sahab Shora’s iconic factory, Gulshan, Hind Timbers, and finally the Ess Que Group, where his artistry reached its peak.
At Ess Que, Makhdoomi was entrusted with some of the Valley’s most prestigious heritage projects. His carvings—ranging from jungle and dragon motifs to calligraphy and delicate latticework—adorned mosques, shrines, and spiritual sites across Kashmir. Each piece was crafted with devotion, blending art with faith.
Despite his mastery, he never sought fame or awards. His humility was as striking as his skill, letting his craftsmanship speak for itself. “Even at his age, we encouraged him to continue, because whatever came from his hands was more than wood—it was a living legacy of the sacred craft,” said Syed Ehtisham Shakeel, Director of Ess Que Group. “With his passing, our group has lost a hero, and Kashmir has lost a legend.”
His longtime colleague, Mehraj ud Din, recalled his piety: “He was soft-spoken, always engaged in silent dhikr while carving. He embodied the Sufi principle—dil ba yar, dast ba ka*—his heart with God, hands in service. Even at 85, he prayed for strength to keep working, and he was at his bench just four days before his death.”
Makhdoomi’s demise is not just the loss of an individual, but of a living tradition. Walnut wood carving, blending Persian, Central Asian, and indigenous influences, remains central to Kashmir’s identity. Yet, with shrinking apprenticeship systems and the threat of machine-made imitations, this legacy faces uncertainty.
